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James Theatre |
Wellington is one of several branches throughout New Zealand
supporting the Royal New Zealand Ballet.
What do Wellington Friends do?
We are volunteers
who support the Royal New Zealand Ballet by:
- increasing the appreciation of ballet through talks and
demonstrations.
- encouraging more people to attend ballet through advance
seminars and informational forums.
- educating young people though the introduction of “Young
Friends” launched in 2003.
- helping young dancers through Masterclasses where students
are taught by the RNZB artistic staff.
- raising money for the RNZB for specific projects with
a variety of interesting and innovative events. The Friends
of the RNZB have been raising funds to buy the dancers shoes
for many years.
Foundation of International members
in 2007
Each year International members receive:
- National newsletters (4 p.a.) plus Wellington supplements.
- Young Friends newsletters (4 – 6 p.a.)
- A programme and poster for each season
- Season neviews, Christmas gift, Dance
News
- Friends fund-raising merchandise to purchase
New members also receive an introductory pack which includes
the book
A Time to Dance 50 Years of the Royal New Zealand
Ballet by Wellington Friend Jennifer Shennan.
History of the Friends of the Royal New Zealand Ballet
Back in 1954 when the ballet company then known as “The
New Zealand Ballet” under the leadership of Poul Gnatt
was first touring, it was Poul's dream that public demand
for a ballet company would encourage the government to fund
a national ballet company. During that initial tour with personnel
of one male dancer, Poul Gnatt, three ballerinas, one pianist
and one driver cum stage manager cum extra, at the end of
each performance the dancers - still in full costume were
sent out into the foyer to accept donations and to sign people
up as “Friends” of the ballet. Ultimately it was
hoped that with a membership of 20,000 the government would
be forced to heed the request for financial support.
In return for 5/- the ‘member’ was given two
seats at a 10% discount price at the next performance in that
town plus they would receive, from time to time news of the
company in the form of a newsletter. At the end of the tour
a register was compiled with the names and addresses and records
were kept. This continued until 1958 when the Nwe Zealand
Ballet became registered as a charitable body. A trust board
was appointed and the ballet company became official. Sometimes
members received ‘Pointe’ magazine, sometimes
members received a note reminding them their membership fees
were due and sometimes the year went from Jan 1 to Dec 31,
sometimes from 1 July to 30 June and sometimes from the time
you paid until twelve months later!!! Various administrative
staff looked after sending of membership cards and mailing
of magazines but as it was no one person’s responsibility
members were ‘just there’.
At the 30th Birthday celebrations it was mooted by Kieron
Goodwin - the then Tour Manager, that ‘Dance Action’
groups be formed. Initially to help with publicity for the
company by way of distributing posters and flyers and generally
being there if the company needed anything when they were
on tour. While there were several ex-company members who offered
to help in this way, Hawke’s Bay was the only area where
an actual committee was formed to offer the company hospitality
and to help in the publicity as well as raise money so that
functions could be held and profit go to the New Zealand Ballet.
The ‘Friends’ membership in Hawke's Bay rose from
twenty to one hundred and I believe that this gave management
and the Board the idea that there was potential for a strong
support group.
Mark Keyworth, then General Manager put a proposal to the
Board in 1989 and they voted to establish a National Organisation
to be known as “Friends of The Royal New Zealand Ballet”.
Approval was sought and given for the organisation to become
registered as an Incorporated Society and approval given for
the name to be used.
During 1990 Mark Keyworth travelled throughout New Zealand
talking to existing members and others who it was felt might
be interested to be a part of this new organisation in which
each area was to be autonomous, but answerable to the National
Executive (or Committee).
Since the formation of the ‘Friends’ as an Incorporated
Society in 1991 the membership has increased and over the
years many hundreds of thousands of dollars have been donated
to the Royal New Zealand Ballet through the fund-raising efforts
of the members. Benefits such as having an assured portion
of audience booking early and talking to others about the
forthcoming performance are part of the intangible assets
of the ‘Friends’.
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